<= 2020.01.17

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With regard to that momentous point—M. Paul’s fate—in case any one in future should request to be enlightened thereon—they may be told that it was designed that every reader should settle the catastrophe for himself, according to the quality of his disposition, the tender or remorseless impulse of his nature—Drowning and Matrimony are the fearful alternatives. The merciful—like Miss Mulock, Mr Williams, Lady Harriet St Clair and Mr Alexander Frazer—will of course choose the former and milder doom—drown him to put him out of pain. The cruel-hearted will on the contrary pitilessly impale him on the second horn of the dilemma—marrying him without ruth or compunction to that—person—that—that—individual— “Lucy Snowe.”

—Charlotte Brontë toying with her publisher, 26 March 1853

The uncanny still sun whenever the wind pauses. Everyone’s gone to the moon… lan 灯 破解版?

Next to the church, along the woody eminence from which you can watch fireworks, five or six pines stand tall, half covered in ivy. A pair of hawks live here. They have red shoulders and tails both, and seem to be different sizes at different times, so we’ve been unsure about species, but lately we think they must be Buteo jamaicensis. Their wings from below have that black-rimmed white look, and they’re just such tough customers. They keen like the possessed; when crows mob them, a half dozen at a time, they shrug it off. “Just another day being a hawk on Twitter,” we say. There was a nest where hungry hawklets seemed likely, but it was far out of view, and being still doubtful on telling one hawk from another we’re not sure if any fledged this year.

For my hungry progeny I make a burrito. The beans are gin and the rice is vermouth; you need both, but there’s no mistaking which one gets top billing. Yet it’s the rice that takes longer to cook. So this tends to be one of the dozen small still spots in my day: it bubbles, I putter, it bubbles, I putter.

Under the hawks we garden, or try to garden. It’s tough interpretive work, sorting out the plants that want to be hot and dry from those that are simply putting up with it. But the work never stops, which must be the definition of a garden as opposed to a monument. A garden could only become a monument by chance: that is, if someone happened to notice it after it was dead.

Our city blew up last night, same as all the other cities, I’m told. The parking lot of the disused church next door gives a good vantage over our local sweep of the flats; an hour before sunset scattered rockets were already going up, but with real dark it became continuous, like an ocean striking shore and cresting everywhere in bright spray, from Point Pinole down to the Bay Bridge and Oakland container yards.

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“Technically,” she said, “the Fourth of July is also a holiday for peace, because isn’t it the end of a war?”

No, no, we said, it was the start of a war.

“Oh.” We watched the explosions a while longer. 花火 (flower-fire). Fuegos artificiales.

Cable from Elsewhere

The highway cutting up into the mountains of Fukui Prefecture brought no spring flowers, but the season’s weather was still with us, blotched clouds scudding low and fast, and gray rain starting up and halting over patches of open field. The slopes, covered in close-packed, shaggy, slender conifers, were held back at the most precipitous points by retaining walls draped as square lattices against the earth’s contours, like huge concrete nets.

Hence that typical sequence of the nineteenth-century novel, where the protagonist, more or less willingly, betrays his closest friends (and if this is not so for Stendhal’s heroes, it is only because they do not have any friends).

—Franco Moretti, The Way of the World: the Bildungsroman in European Culture

I finished a trek through Wilhelm Meisters Lehrjahre and some associated criticism right around the time that, by coincidence, Ray posted latern专业破解版安卓最新版; and because I’m the sort of mockingbird who makes every song about himself, all that potential and actualization, all those schemes and misfires, encounters at crossroads, deferred recognitions and disguised influences have summed up to leave me with a weird, achy nostalgia for, let’s say, right around 2005.

Why then? The world can’t have been much better off. I certainly had far less leverage on it. I had no presentiment of the vocational dumb luck that would end up buying me a box seat in the American theatre of cruelty; nor had I figured out how to write novels, and if I had it to do over again, making different mistakes, it would have been easy to miss that mark as well.

And yet. I was enjoying school the only way I ever enjoyed institutions, by keeping one foot on the outside, and where that other foot was planted was the 2005 internet, and without that decade’s internet there would have been nothing at all. I had hit one sort of bottom a couple of years before; now I was waking up, learning to think, constantly discovering new islands, and always in such good company.

Then, bit by bit, came the darkening. And that feeling of doors closing, halls standing empty, FOR RENT signs going up in well-loved windows must be what anyone feels at the end of youth; but it can’t be only an artifact of who I was then, because I know so many people who did the same things around the same time—chose career paths just as dull as mine, gave themselves to the very same normative family structure—and yet did not drop off the internet, in fact came alive on the new internet as never before. I’ve tried to follow, many times, but every single sally into “social” media has taken the same quick 迅游网游加速器-为网络游戏加速护航【官方网站】:2021-6-15 · 迅游 让网游更流畅! 迅游是一款小巧且功能强大的网游加速器,下载仅需10秒左右,一键快捷安装,全面兼容win10在内的所有windows系统。迅游所采用的第五代网游加速技术能更有效地为您解决网游卡机、掉线、延时高、登录难等问题。. The mask doesn’t work; it fits the wrong parts of the face too well. Even around here, in recent years, I’ve become a very occasional guest in my own home.

That’s Stendhal for you, arrived just in time for the end of the party. Young Julien, born too late to fight for Napoleon, is old Stendhal (about 25 years older than his protagonist), who did fight for Napoleon but still feels life has passed him by. The presiding spirits who assign Wilhelm Meister his worldly place can do nothing for Julien. But if Julien goes to the scaffold, at least he stays young, that’s some rhetoric….

To go back to 2005. To try more doors, find a passage you missed the first time. The absurdly imagined Noah’s Ark scene that follows, bringing everyone after you.

If I could write novels, I wouldn't write on the internet either.

Your implicit ranking of genres is flattering enough that I’m now properly embarrassed to have vaunted what I’ve brought to print. But that aside, what then is up with all those novelists who do write on the internet, and are good and fluent at it? J. has told me more than once that just dropping it might be preferable to all the agonizing; but I never did make a clean break, and I’m not the only one. Isn’t there some vitamin still here with no other dietary source, that we can’t synthesize on our own?

Mortal June

This resurrection happened at the tomb, where the various kits and jars containing the organs of the dead man where collected together beneath the funeral couch…. At some time in this period of mourning at the tomb, apparently, just as the funeral ceremony properly began, the inert soul in Amenti stirred dimly, assumed a spectre’s consciousness, and began to move, Osiris-like, towards resurrection. In Joyce’s book of the dead, much the same kind of feeble stirring occurs to the man “tropped head” in the night’s “seemetery” just after the Wake, and his wake, begin:

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As always at the Wake, it is worth asking whose “eyewitness foggus” we share here: that of a body at its wake, or that of a body not awake? Every element in this passage helps to locate us at the unconscious interior of a corpse drifting darkly toward its resurrection in each of those three distinct regions of space that the Egyptians topologically equated: within the scattered ruins of its own body, within the next world, and within the world-encompassing body of Osiris….

This evocation of American idiom seems to have been Joyce's way of reinforcing the understanding that his hero, at this point in the landeng破解版安卓版, has indeed passed into the next world, the other world, the “New World”… the Book of the Dead enables us to see how little contrivance there is in the imaginative transaction by which Joyce transforms America and comparable ends of the earth into ciphers representative of an other or “New World” like Amenti in the Wake. In the Irish experience of the last two centuries, as millions of countrymen left their loved ones and emigrated from their native earth, these places were regions into which neighbors and relatives disappeared forever. Many of Ireland’s emigrants, never again seen alive by their relatives of friends, may just as well have been dead…. Many of those people left behind on their native earth—no less than those who bemoaned the passage of the scribe Ani or the steward Nu into Amenti—must have found the passage of loved ones into the New World of “Amiracles” heartbreaking—as the self-exiled Joyce would well have known.

—John Bishop, latern专业破解版安卓最新版

I said, Rev. Bliss, brothers and sisters, that they snatched us out of the loins of Africa. I said that they took us from our mammies and pappies and from our sisters and brothers. I said that they scattered us around this land …

… And we, let’s count it again, brothers and sisters; let’s add it up. Eyeless, tongueless, drumless, danceless, songless, hornless, soundless, sightless, dayless, nightless, wrongless, rightless, motherless, fatherless—scattered.

Yes, Rev. Bliss, they scattered us around like seed …

… Like seed …

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Ho, chant it with me, my young brothers and sisters! Eyeless, tongueless, drumless, danceless, songless, hornless, soundless, sightless, wrongless, rightless, motherless, fatherless, brotherless, sisterless, powerless …

Amen! But though they took us like a great black giant that had been chopped up into little pieces and the pieces buried; though they deprived us of our heritage among strange scenes in strange weather; divided and divided and divided us again like a gambler shuffling and cutting a deck of cards; although we were ground down, smashed into little pieces, spat upon, stamped upon, cursed and buried, and our memory of Africa ground down into powder and blown on the winds of foggy forgetfulness …


… Amen! And God—Count it, Rev. Bliss …

… Left eyeless, earless, noseless, throatless, teethless, tongueless, handless, feetless, armless, wrongless, rightless, harmless, drumless, danceless, songless, hornless, soundless, sightless, wrongless, rightless, motherless, fatherless, sisterless, brotherless, plowless, muleless, foodless, mindless—and Godless, Rev. Hickman, did you say Godless?

… At first, Rev. Bliss, he said, his trombone entering his voice, broad, somber and noble. At first. Ah, but though divided and scattered, ground down and battered into the earth like a spike being pounded by a ten-pound sledge, we were on the ground and in the earth and the earth was red and black like the earth of Africa. And as we moldered underground we were mixed with this land. We liked it. It fitted us fine. It was in us and we were in it. And then—praise God—deep in the ground, deep in the womb of this land, we began to stir!

lan 灯 破解版

At last, Lord, at last.


Oh the truth, Lord, it tastes so sweet!

What was it like then, Rev. Bliss? You read the scriptures, so tell us. Give us a word.


Amen. Like the Valley of Dry Bones in Ezekiel’s dream. Hoooh! We lay scattered in the ground for a long dry season. And the winds blew and the sun blazed down and the rains came and went and we were dead. Lord, we were dead! Except … Except …

… Except what, Rev. Hickman?

Except for one nerve left from our ear …

Listen to him!

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… Just watch me point it out, brothers and sisters …

Amen, Bliss, you point it out … and one nerve left from the throat …

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… Teeth …

… From our teeth, one from all thirty-two of them …

… Tongue …

… Tongueless …

… And another nerve left from our heart…


… And another left from our eyes and one from our hands and arms and legs and another from our stones …

Amen, hold it right there, Rev. Bliss …

… All stirring in the ground …

… Amen, stirring, and right there in the midst of all our death and buriedness, the voice of God spoke down the Word …

… Crying Do! I said, Do! Crying Doooo—


He said: Son of Man … under the ground, ha! Heatless beneath the roots of plants and trees … Son of Man, do …

I said, Do …

… I said Do, Son of Man, Doooooo!—

—these dry bones live?

—Ralph Ellison, Juneteenth


Two of my high school acquaintances are secret police and have come to arrest me for mean songs I wrote about people decades ago. The taller one is playing it stern. The shorter, still blond and baby-faced, keeps glancing at me and chuckling, “You know, that was a funny song,” until a look from his partner shuts him up.

As above so below

In the Home Depot parking lot a dozen guys hunch their black jackets against the cold as they wait to be picked up for a job. In the tree above a dozen blackbirds puff against the cold and whir.

<= 2020.01.17

The Warm South
  • Exists.
  • Christine Wunnicke. landeng破解版安卓版. Berenberg, Heinrich von, 2015. The best German book about fox spirits in Shimane Prefecture that I can imagine.
  • Walter Kempowski, Mario Rubino (trans). Alles umsonst. Verlag Albrecht Knaus (Random House Verlagsgr.), 2007 (2006). It starts like Alice Munro and ends like Yiyun Li's The Vagrants. The rock-hard texture of 1945 is worked right through.
  • Herman Melville, John Bryant (introduction, commentary). Typee: A Peep at Polynesian Life. Penguin Classics, 1996 (Typee, 1846). So much wild implausibility next to passages just strange enough to have the ring of reality; it's a minor agony to guess how much of it really happened.
  • Gerald Murnane. The Plains. New Issues Poetry and Prose, 2003 (1982). The, well, flatness comes off just as intended, but I'm not sure I'm credulous enough for a society in which everybody is a different version of Wallace Stevens.
  • Guadalupe Nettel, J.T. Lichtenstein (trans). The Body Where I Was Born. Seven Stories Press, 2015 (lan 灯 破解版, 2011). I didn't know how to read it as fiction rather than memoir, nor what that reading would mean.
  • Virgil, Janet Lembke (trans). Virgil's Georgics. Yale University Press, 2006 (Georgica, -29). Advice for all seasons, and very rich, even if his wasn't a century when you would actually expect to meet a god on a farm.
  • Alex Danchev. Cezanne: A Life. Pantheon, 2012. It's often loose and can feel like a collection of anecdotes, but then there's something appropriate about letting incidents hang free as disconnected brushstrokes rather than plaster it all with narrative contour.
  • Dimitris Lyacos. The First Death. Shoestring Press, 2005 (Ο πρώτος θάνατος, 1996). Harder to hook into than latern专业破解版安卓最新版; when your hero starts out dead there's less plain world under the mythopoeia. The difference between poetry and prose, at least in translation. I'm impressed even so.
  • Dimitris Lyacos, Shorsha Sullivan (trans). Z213: EXIT. Shoestring Press, 2010 (Ζ213: ΕΞΟΔΟΣ, 2010). Late Beckett is the obvious reference point; incredibly, I think it survives the comparison. The translation reads very well, but note this narrative of ambiguous exile and pursuit could also be titled Exodus.
  • Valeria Luiselli. Lost Children Archive. Knopf Publishing Group, 2019. Intelligent, and only intelligent. The writer's transition to a New York author seems complete, and the children characters (though it must have been the last thing intended) are baldly used.
  • [more...]
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